Haunted Morgan’s Corner on the island of Maui

Morgan’s Corner, a seemingly innocuous bend in the road surrounded by lush foliage and towering trees, holds a dark secret. Over the years, it has become synonymous with tragic events, eerie occurrences, and unexplained phenomena, earning its reputation as one of the most haunted places on Maui.

The legend of Morgan’s Corner is rooted in a series of unfortunate incidents that have taken place in the area. One of the most notorious events dates back to the early 20th century, when a young woman named Emily Morgan tragically lost her life in a car accident on the very curve that now bears her name. Locals claim that her restless spirit continues to haunt the area, seeking solace for her untimely demise.

Over the years, there have been numerous accounts of strange encounters and unexplained phenomena at Morgan’s Corner. In 1967, a local man named Richard reported a chilling experience while driving along the winding road late one night. As he approached the infamous bend, he saw the figure of a woman in a white dress standing by the side of the road. When he slowed down to offer assistance, the woman vanished into thin air, leaving Richard questioning his sanity.

Another incident, in 1985, involved a group of tourists who were camping near Morgan’s Corner. They were awakened in the dead of night by the sound of a woman weeping. As they searched for the source of the distressing cries, they discovered a translucent figure of a woman in white, standing beneath a tree. The apparition vanished before their eyes, leaving the terrified campers with no choice but to pack up their belongings and flee the area.

The haunted reputation of Morgan’s Corner has become deeply entrenched in the local folklore. Some believe that the area is cursed, a magnet for misfortune and tragedy. Others attribute the supernatural occurrences to the restless spirits of those who have met their end near the fateful curve, forever bound to the place of their demise.

As you explore the breathtaking island of Maui, be sure to treat its history and legends with the reverence and respect they deserve. If you happen to find yourself driving along the winding road near Morgan’s Corner, be vigilant and remain cautious, for the spirits that dwell there may be watching from the shadows.

Despite its haunted reputation, the story of Morgan’s Corner serves as a reminder of the rich tapestry of legends and folklore that define the Hawaiian Islands. As we delve into these captivating tales, we are transported to a time when the line between the natural and supernatural was blurred, and we are reminded that even in paradise, the echoes of the past continue to resonate, whispering to us through the haunting legend of Morgan’s Corner on the island of Maui.

The Faceless Woman of Hawaii – A Ghastly Ghost Story

This is a chilling tale of terror from the paradise known as Hawaii. This tropical haven, famous for its lush landscapes, enchanting culture, and welcoming natives, harbors a spine-tingling secret: the ghostly legend of the Faceless Woman. Join me as we unravel the eerie origins of this macabre specter and explore her frightful encounters that have left both locals and visitors shivering in dread.

The Terrifying Tale of the Faceless Woman

The gory genesis of the Faceless Woman, or Mujina, can be traced back to the land of the rising sun: Japan. This sinister spirit is a shape-shifting creature, able to transform into a horrifyingly faceless human figure. As Japanese immigrants began settling in Hawaii during the 19th and 20th centuries, they brought with them their rich culture and bone-chilling folklore, including the dreadful tale of the Faceless Woman.

This gruesome phantom often appears as a mesmerizing lady donning a flowing white gown. But beware, for upon closer inspection, one will discover her most terrifying trait: the absolute absence of any facial features. The horrifying sight is enough to send shivers down the spine of even the most courageous souls.

Harrowing Hauntings of the Faceless Woman

Throughout the years, there have been countless accounts of encounters with this spectral siren, each leaving witnesses quivering with fear. While her hauntings vary in location, the most infamous tales are set in public restrooms, shopping malls, and movie theaters.

The Waialae Drive-In Theater Incident (1959)

One petrifying encounter took place in 1959 at the Waialae Drive-In Theater in Honolulu. A woman ventured into the restroom, only to find another woman combing her long, flowing hair before the mirror. Upon approaching the figure, the witness realized, to her utter horror, that the woman had no face. Panicked, she fled the scene, and the ghastly story quickly spread among the terrified townsfolk.

Ala Moana Shopping Center (1980s)

Another notorious encounter transpired at the Ala Moana Shopping Center in the 1980s. A shopper entered the women’s restroom, stumbling upon a woman clad in a red dress standing by the sink. As she neared, she discovered, to her abject terror, that the woman was devoid of a face. The horrified shopper escaped the restroom, and her grisly tale soon became a macabre topic of conversation.

Other Eerie Encounters

Beyond these well-known hauntings, countless other stories of the Faceless Woman continue to circulate. Some claim to have witnessed her ghostly presence at the Dole Cannery movie theater in Honolulu, while others report spine-chilling sightings on secluded beaches and other isolated locations.

Theories and Blood-Curdling Beliefs

The Faceless Woman of Hawaii remains an enigmatic figure, shrouded in spine-chilling folklore and local superstition. Some speculate that she is a restless spirit, trapped between the realms of the living and the dead. Others surmise that she is an omen of doom, sent to warn those who encounter her of impending misfortune. Yet another theory suggests that the Faceless Woman is an incarnation of human fears and anxieties, a reflection of our own inner demons.

The spine-chilling story of the Faceless Woman in Hawaii is a haunting reminder that even in paradise, shadows of terror linger just below the surface. While some may dismiss these encounters as mere urban legends, others continue to share their harrowing stories, unable to shake the eerie feeling that the Faceless Woman may be lurking around the next corner, waiting to reveal her ghastly visage. As the legend of the Faceless Woman continues to captivate and horrify the imaginations of locals and visitors alike, one thing remains certain – the spirit of the Mujina will live on, forever etched in the macabre folklore of the Hawaiian Islands.

So, my dear friends, the next time you find yourself wandering through the picturesque landscapes of Hawaii, remember that even in this tropical paradise, the unknown and the terrifying may lie in wait. Keep your eyes peeled for the Faceless Woman, lest you become another chapter in the never-ending chronicles of terror.

And with that, my ghoulish companions, I must leave you to ponder the frightful tale of the Faceless Woman of Hawaii. May it serve as a spine-chilling reminder that the world is full of things that go bump in the night. Sleep tight, and don’t let the Faceless Woman bite!

Top-10 ghost stories of Hawaii

1 – Night Marchers – This is one of the most well-known ghost stories in Hawaii. It is said that the spirits of ancient Hawaiian warriors called the Night Marchers come out at night to march through certain areas, and if you see them, you must show them respect or suffer the consequences.

2 – The Lady in White – The Lady in White is a ghost that is said to haunt the Pali Highway on the island of Oahu. Legend has it that she is the ghost of a woman who was killed in a car accident on the highway, and now she appears to drivers on foggy nights.

3 – The Haunted Lighthouse – The Makapu’u Lighthouse on Oahu is said to be haunted by the ghost of a former lighthouse keeper who died on the job. Visitors have reported hearing strange noises and seeing the ghostly figure of a man near the lighthouse.

4 – The Green Lady – The Green Lady is a ghost that is said to haunt the grounds of the Kahala Hilton Hotel on Oahu. Legend has it that she is the ghost of a woman who drowned in the hotel pool many years ago.

5 – The Ghost Dog of Waipio Valley – The Waipio Valley on the Big Island of Hawaii is said to be haunted by the ghost of a black dog. Legend has it that the dog was the guardian of the valley and now appears to warn visitors of danger.

6 – The Faceless Woman – The Faceless Woman is a ghost that is said to haunt the Nu’uanu Pali Lookout on Oahu. Legend has it that she is the ghost of a woman who fell off the cliff and had her face disfigured in the fall.

7 – The Haunted Palace Theater – The Palace Theater in Hilo on the Big Island of Hawaii is said to be haunted by the ghost of a former projectionist. Visitors have reported seeing ghostly figures and hearing strange noises in the theater.

8 – The Ghost Children of Wailua – The Wailua River on Kauai is said to be haunted by the ghostly voices of children. Legend has it that the children drowned in the river many years ago and their spirits now haunt the area.

9 – The Nightmarchers of Kauai – The Nightmarchers also appear on the island of Kauai. Legend has it that they are the spirits of ancient Hawaiian warriors who march through certain areas at night, and if you see them, you must show them respect or suffer the consequences.

10 – The Haunted Morgan’s Corner – Morgan’s Corner on the island of Maui is said to be haunted by the ghost of a woman who was killed in a car accident at the intersection. Visitors have reported hearing strange noises and seeing ghostly figures in the area.

Marie Laveau,Voodoo Queen of New Orleans – Marie Catherine Laveau

MARIE LAVEAU ,VOODOO QUEEN OF NEW ORLEANS ,Marie Catherine Laveau (September 10,


Marie Laveau, Voodoo Queen of New Orleans– Marie Catherine Laveau (September 10, 1801 – June 15, 1881) was a Louisiana Creole practitioner of Voodoo, who was renowned in New Orleans. Her daughter, Marie Laveau II, (1827 — c. 1862) also practiced rootwork, conjure, Native American and African spiritualism and Catholicism as well as Louisiana or what is known today as New Orleans Voodoo.Historical records surmise that Marie Laveau was born free in the French Quarter of New Orleans, Louisiana, Thursday September 10, 1801. She was the biological daughter of Marguerite Henry (also known as Marguerite D’Arcantel), a free woman of colour who was of Native American, African and French descent, and Charles Laveau Trudeau, surveyor & politician. On August 4, 1819, she married Jacques Paris (also known as Jacques Santiago, in other records), a French immigrant who had fled as a white refugee from the black Haitian Revolution in the former French territory Saint-Domingue.Their marriage certificate is preserved in the St. Louis Cathedral in New Orleans. The wedding mass was performed by Father Antonio de Sedella, the Capuchin priest known as Pere Antoine.

The death of Jacques Paris was recorded in 1820.He was part of a large French immigration of refugees to New Orleans in 1809, after the Haitian Revolution of 1791-1804.They had two daughters, Felicite in 1817 and Angele in 1820. Both disappear from the records in the 1820s.Little is known with certainty about the life of Marie Catherine Laveau. Marie Catherine (1801-1881) was approximately 1/3 each African, Native American and white.Laveau’s only two children to survive into adulthood were daughters. The elder named Marie Euchariste Eloise Laveau (1827-1860-2), the second daughter was named Marie Philomene Glapion (1836-1897). It is not known which of these daughters went on to become Marie II.

Following the reported death of her husband, she entered a domestic partnership with Christophe Dominick Duminy de Glapion, (a white man of French descent) with whom she lived until his death in 1855. They were reported to have had 15 children (or, perhaps fifteen children and grandchildren).They had 7 children according to birth and baptismal records.While it is difficult to determine the histories of the two Maries in tradition, it is believed that the elder Marie was a dedicated practitioner of Voodoo. The younger displayed more theatrical rubrics by holding public events (including inviting attendees to St. John’s Eve rituals on Bayou St. John). “Laveau was said to have traveled the streets like she owned them” said one New Orleans boy who attended an event at St. John’s.It is not known which (if either) had done more to establish the voodoo queen reputation.

Marie Laveau started a beauty parlor where she was a hair-dresser for the wealthier families of New Orleans.Of Laveau’s magical career, there is little that can be substantiated, including whether or not she had a snake she named Zombi after an African god, whether the occult part of her magic mixed Roman Catholic saints with African spirits, or whether her divinations were supported by a network of informants she developed while working as a hairdresser in prominent white households. She appeared to excel at obtaining inside information on her wealthy patrons by instilling fear in their servants whom she either paid or cured of mysterious ailments.On June 17, 1881, it was announced in the Daily Picayune that Marie Laveau had died peacefully in her home. However, oral tradition states that she was seen by some people in town after her supposed demise.One of her daughters, also named Marie (a French Catholic tradition to have the first names of daughters be Marie, and boys Joseph, then each use middle name as common name) possibly assumed her position, with her name, and carried on her magical practice, taking over as the queen soon before or after the first Marie’s death.

Marie Catherine Laveau Paris Glapion died on June 15, 1881, aged 79.The different spellings of her surname result from many different women with the same name in New Orleans at the time, and her age at death from conflicting accounts of her birth date.Laveau’s name and her history have been surrounded by legend and lore. In 1982, New Jersey-based punk rock group The Misfits were arrested and accused of attempting to exhume Laveau from her grave after a local concert. The arrest took place in nearby Cemetery No. 2 and there are conflicting accounts of the incident.

Marie Laveau is generally believed to have been buried in plot 347, the Glapion family crypt in Saint Louis Cemetery No. 1, New Orleans,but this has been disputed by Robert Tallant, a journalist who used her as a character in historical novels.Tourists continue to visit and some draw X marks in accordance with a decades-old tradition that if people wanted Laveau to grant them a wish, they had to draw an X on the tomb, turn around three times, knock on the tomb, yell out their wish, and if it was granted, come back, circle their X, and leave Laveau an offering.

The tomb in Saint Louis Cemetery No. 1 was vandalized by an unknown person on December 17, 2013, by being painted over with pink latex paint. The paint was removed because the structure is made of old plaster and the latex paint would seal in moisture that would destroy the plaster. Some historical preservation experts criticized the decision by officials of the Archdiocese of New Orleans, who maintain the cemetery, for their decision to use pressure washing rather than paint stripper to remove it.

As of March 1, 2015, there is no longer public access to St. Louis Cemetery No. 1. Entry with a tour guide is required because of continued vandalism and destruction of tombs. This change was made by the Archdiocese of New Orleans to protect the tombs of the Laveau family as well as those of the many other dead interred there.

Although some references to Marie Laveau in popular culture refer to her as a “witch,” she is properly described as a ‘Voodoo queen’.Because of her prominence within the history of Voodoo in New Orleans, Laveau has inspired a number of artistic renditions.

In visual art, the African American artist Renee Stout often uses Laveau as a visual motif.

Numerous songs about Marie Laveau have been recorded, including “Marie La Veau” by Papa Celestin, “Marie Laveau” written by Shel Silverstein and Baxter Taylor and recorded by Dr. Hook & the Medicine Show (1972), and Bobby Bare (1974), “The Witch Queen of New Orleans” (1971) by Redbone, “Dixie Drug Store” by Grant Lee Buffalo, “X Marks the Spot (Marie Laveau)” by Joe Sample, “Marie Laveau” by Dr. John, “Marie Laveau” (2013) by Tao Of Sound, “Voodoo Queen Marie” to the minstrel tune “Colored Aristocracy” by The Holy Modal Rounders, “The Witch Queen of New Orleans” by Total Toly, and “The Widow Paris” by The Get Up Kids. Most recently the Danish metal band Volbeat released an album with a song entitled “Marie Laveau” (Seal The Deal & Let’s Boogie, 2016). Marie Laveau is mentioned in the song “I Will Play for Gumbo” (1999) by Jimmy Buffett and “Clare” by The Fairground Attraction. Two of Laveau’s nephews, banjoist Raymond Glapion and bassist Alcide “Slow Drag” Pavageau, became prominent New Orleans jazz musicians.

Laveau has offered inspiration for a number of fictional characters as well.

She is the protagonist of such novels as Robert Tallant’s The Voodoo Queen (1956), Francine Prose’s eponymous Marie Laveau (1977), and Jewell Parker Rhodes’ Voodoo Dreams: A Novel of Marie Laveau (1993). Laveau appears as a supporting character in the Night Huntress novels by Jeaniene Frost, as a powerful ghoul still living in New Orleans in the 21st century. She also appears as a background character in Barbara Hambly’s Benjamin January mystery series, set in New Orleans. Marie Laveau appears in Neil Gaiman’s novel American Gods, under her married name, Marie Paris. Marie Laveau’s tomb is the site of a secret, fictional underground Voodoo workshop in the Caster Chronicles novel Beautiful Chaos by Kami Garcia and Margaret Stohl. Laveau’s grave site is the setting of a pivotal scene in Robert J. Randisi’s short story, “Cold As The Gun,”,\ from Foreshadows: The Ghosts of Zero. The mother of Hazel Levesque, one of the characters from Rick Riordan’s The Heroes of Olympus book series, was known as “Queen Marie,” a famous fortune teller who lived in New Orleans. In Charlaine Harris’ True Blood (Sookie Stackhouse novels) book series, the character Hadley is lured to her death at the site of Marie Laveau’s tomb.

A character named Marie Laveau, based loosely on the real Marie Laveau, appears in Marvel Comics. She first appeared in Dracula Lives #2 in 1973.She is depicted as a powerful sorceress and Voodoo priestess with great magical powers and knowledge of arcane lore, including the creation of a potion made from vampire’s blood that keeps her eternally youthful and beautiful.A character named Marie Laveau also appears in the Italian comic book Zagor.

In television, a heavily fictionalized Marie Laveau (portrayed by Angela Bassett) appears as a character in American Horror Story: Coven and American Horror Story: Apocalypse.She also appears in the Canadian television series Lost Girl (portrayed by Marci T. House) in episode 11 of season 4, Young Sheldon (portrayed by Sharon Ferguson) in episode 7 of season 1, and Legends of Tomorrow (portrayed by Joyce Guy) in episode 7 of season 4.LOUISIANA VOODOO( Louisiana Voodoo, also known as New Orleans Voodoo, describes a set of spiritual folkways developed from the traditions of the African diaspora. It is a cultural form of the Afro-American religions developed by West and Central Africans populations of the U.S. state of Louisiana, though its practitioners are not exclusively of African-American descent. Voodoo is one of many incarnations of African-based spiritual folkways rooted in West African Dahomeyan Vodun. Its liturgical language is Louisiana Creole French, the language of the Louisiana Creole people.

Voodoo became syncretized with the Catholic and Francophone culture of New Orleans as a result of the African cultural oppression in the region resulting from the Atlantic slave trade. Louisiana Voodoo is often confused with—but is not completely separable from—Haitian Vodou and Deep Southern Hoodoo. It differs from Haitian Vodou in its emphasis upon gris-gris, Voodoo queens, use of Hoodoo paraphernalia, and Li Grand Zombi. It was through Louisiana Voodoo that such terms as gris-gris (a Wolof term) and “Voodoo dolls”‘ were introduced into the American lexicon.)( THE GHOST OF MARIE LAVEAU ,QUEEN OF VOODOO,NEW ORLEANS USA .,The St. Louis Cemetery #1 in New Orleans, Louisiana, is considered the most haunted cemetery in all of the United States.

This graveyard is said to be haunted by the ghost of the infamous Voodoo Queen, Marie Laveau. Her ghost has been reported inside the cemetery, walking between the tombs wearing a turban and mumbling a Santería Voodoo curse to trespassers. Some people swear they have seen her disappear into thin air when approached.

Her grave is visited by the faithful, curious and desperate year round. Many come to her tomb and place small offerings there, like candles, flowers, Mardi Gras beads, Voodoo dolls, trinkets and food in hopes of being blessed by her supernatural powers from beyond the grave. Many have been known to make a wish at her tomb. If that wish is fulfilled, they return and mark her tomb with three X’s to show their appreciation. Others say that her ghost appears as a sleek Voodoo cat with red, glowing eyes. They say the cat walks right through Laveau’s sealed tomb door and disappears inside, as if the door wasn’t even there.

Marie Laveau, one thing is absolutely certain–no one in New Orleans was ever more renowned, influential, respected, powerful and feared than the Queen of Voodoo, Marie Laveau. And, as evidenced by the many X’s scribbled on her tomb, to this day, she is still casting spells and granting wishes from beyond the grave!
ADDRESS Saint Louis Cemetery Number 1
New Orleans
Orleans Parish
Louisiana, USA
GPS (lat/lon): 29.95371, -90.06502


Alicia’s Pillow


Alicia’s Pillow is a scary fictional story about a young girl who is struck down by a mysterious illness. It is inspired by an old horror story from Uruguay written by Horacio Quiroga.

There was a young girl named Alicia who moved, with her parents, to a new town. They rented a big, old house that was sparsely furnished. Alicia slept in the downstairs bedroom while her parents slept upstairs.

After they had been living there a few weeks, Alicia’s parents noticed that she was growing very thin. As the days went on, her health seemed to get worse and worse. Then, the poor girl came down with some mysterious illness and being so weak she was confined to her bed.

The doctor came to examine her and he told her parents that she was suffering from an extreme case of anemia. All she needed was some rest, and fluids he said, and soon she would be as good as new.

However, despite what the doctor said, Alicia’s condition continued to get worse and worse. Her skin was grey and pallid, her cheeks were sunken and there were dark circles around her eyes. She felt so weak she couldn’t even sit up anymore.

Her parents were distraught and had no idea what to do. While Alicia slept in her bed, her mother and father paced back and forth restlessly, wondering what could be the cause of her mysterious illness.

Day by day and hour by hour, the poor girl grew worse and worse. She was so weak, she could barely move at this point . Alicia was fading fast and the life was ebbing from her veins. She was deathly pale and her body was shriveled and withering away. She started to have hallucinations and began screaming out in terror and babbling incoherently in a weak voice.

Finally, Alicia lost consciousness and then later died. Her parents were inconsolable. They held a funeral service and buried their beloved daughter in the town cemetery.

The day after the funeral, Alicia’s mother was stripping the sheets off her daughter’s bed when she noticed something on the pillow. There were two red stains in the white material. When she picked up the pillow, she noticed it was unusually heavy, so she called her husband to come and take a look at it.

As the parents examined the pillow closely, the mother suddenly let out a scream. She felt something moving inside it. The father fetched a knife and slit open the pillow, emptying the feathers out on the floor.

As the parents watched in horror, something crawled out of the pile of feathers, slowly moving its hairy legs. It was a monstrous black spider, so swollen with blood that they could scarcely make out its mouth.

Night after night, as Alicia lay in bed, this hairy abomination had been stealthily sucking all of the blood from her body and slowly draining her life away.